A Comparison of Macbeth and Cr Article

Shakespeare's " Macbeth" and Dostoevsky's Crime and Punishment explore the internal depths of man. These two works examine tragedy as represented through the existential beliefs of many philosophers. Existentialist theory expresses the idea that man can satisfy his own demands, regardless of sociable codes, if perhaps he provides the energy and ambition to act. Both Macbeth and Raskolnikov have the goal to act, although each challenges internally using their actions, frightened of the implications. Although these works look at the disaster and sorrow of Macbeth and Raskolnikov, the idea of a driving force within each persona remains noticeable. Ultimately, William Shakespeare's " Macbeth" and Fyodor Dostoevsky's Crime and Punishment present similar areas of the existential philosophy that examine the thoughts and actions with the two protagonists. The existential principle remains to be apparent within these performs. The styles of existentialism vary, although one key focus is the fact man pleases himself by acting on his desires. Lack of knowledge and hollowness penetrate individual existence, creating anxiety, respect, and dejection (Moore & Bruder 503). And gentleman faces, as the most prominent fact of human existence, the need to decide how he's to live through this " silly and illogical world" (Moore & Monch 504). " Macbeth" employs many existentialist concepts. Macbeth's murdering of Duncan to get his kingship displays a existentialist beliefs in that he eliminated his obstacles to be able to fulfill his ambition (Gellrich 17). The witches whom constantly taunt Macbeth drive him to his greatest goal (Craig 255). Dostoevsky also engages an existentialist philosophy in the novel. The " group of unconscious drives" (Cox 42) that propel Raskolnikov to commit his crime reveal that " human nature is usually not totally definable by simply its rationality" (Jalava 1). This pertains to existentialism by virtue of people sometimes performing particular actions that cannot be explained (Jalava 6). Both the works of Shakespeare and Dostoevsky suggest " existential ways to tragedy" (Gellrich 257) that ultimately can determine the protagonist's fate. The 2 protagonists, Macbeth and Raskolnikov, possess tragic flaws that may lead to their downsides. Confronted with many alternative methods of action, the tragic leading man agonizes in the intentions and understands that he's going to suffer no matter which decision he makes (Gellrich 17). The tragic hero can be recognized mainly because he " is a free and liable agent in whose extraordinary visibility is established in a refusal to take the limitations posed from devoid of, " (Gellrich 256) additionally exhibiting existentialist concepts. Existential tragedy remains to be elucidated inside the works of Shakespeare. The problems of a tragic hero tend to come out into the open and lead to his demise because every tragic hero's relationship manifests by itself in its own way including the hallucinations of Macbeth (Honigmann 69). The virtue and bravery displayed in Macbeth are defeat by the nasty force with the witches who have draw him to his demise (Somerville 33). In the same way, Raskolnikov evinces himself because the quintessential a tragic agent. Raskolnikov commits the murder as they was " drawn with a power that he now has no control, " (Goddard 14) as a result once again demonstrating the existential philosophy that man does not have any control over his actions. Unfortunately, Raskolnikov problems internally wondering why he determined such a terrible deed, further illustrating the idea of existentialists in that man's conduct is definitely unexplainable (Bradbury 38). The existential theory explains the motivation pertaining to both protagonists. The viewpoint of existentialists stresses male's determination to fulfill his dreams. The bases for their opinion stems from the " getting pregnant of the man condition, " (Stone 1) referring to the way in which in which man's actions will be justified. The existentialist concepts focus on the irrationality at the rear of man's patterns (Jalava 1). Furthermore, Macbeth demonstrates his motivation...

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